The End of Shadows

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dc.contributorAalto-yliopistofi
dc.contributorAalto Universityen
dc.contributor.advisorLotman, Elen
dc.contributor.authorTorres Leon, Pedro
dc.contributor.schoolTaiteiden ja suunnittelun korkeakoulufi
dc.contributor.schoolSchool of Arts, Design and Architectureen
dc.contributor.supervisorRonkainen, Rauno
dc.date.accessioned2025-01-24T18:03:55Z
dc.date.available2025-01-24T18:03:55Z
dc.date.issued2024-12-31
dc.description.abstract“The End of Shadows” is an auto-ethnographic thesis that questions the essence of cinematography. Cinematographers visually narrate films using different tools such as composition, lighting, color or movement. When doing this, it’s important to find the right angle, shade, hue or pulse. Author and cinematographer Pedro Torres León approaches this by self-reflection on his journey as a cinematographer, writing insights from conversations, reading literature and analysis of his own films. This led him to the hypothesis that observation is the essence of cinematography. Observation provides a cinematographer an educated criteria in image design. Light is the base of observation for cinematographers.en
dc.format.extent76
dc.format.mimetypeapplication/pdfen
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/133396
dc.identifier.urnURN:NBN:fi:aalto-202501241680
dc.language.isoenen
dc.programmeMaster's Programme in Film and Televisionen
dc.programme.majorCinematographyen
dc.subject.keywordlighten
dc.subject.keywordshadowen
dc.subject.keywordmemoryen
dc.subject.keywordreflectionen
dc.subject.keyworddramaturgyen
dc.subject.keywordobservationen
dc.titleThe End of Shadowsen
dc.typeG2 Pro gradu, diplomityöfi
dc.type.ontasotMaster's thesisen
dc.type.ontasotMaisterin opinnäytefi
local.aalto.electroniconlyyes
local.aalto.openaccessyes

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