How Much for How Many; Visualizing Power Dynamics and Alienation in Urban Spaces Through Animation Documentary

Abstract

This paper presents a practice-based research project conducted through the creation of an animated documentary. Drawing from personal memories of interacting with street vendors in Tehran, this research develops visual and narrative strategies to highlight the vulnerabilities of lower-class communities who face structural violence under urban control policies and bureaucratic systems.

Inspired by Mohamed Bouazizi’s story—whose self-immolation in 2011 sparked the Arab Spring movement—this thesis frames his act of protest within a broader socio-political context to deepen the exploration of power dynamics and alienation experienced by marginalized individuals in public spaces.

To express these themes, a range of animation methods and artistic influences are incorporated to create a symbolic and expressive visual language for the film. Based on a Marxist perspective, the theoretical framework in this paper not only supports the artistic practice, but also actively influences it. Ultimately, beyond provoking discussions on political protest and social justice, this paper aims to develop an inclusive language for social critique through animation documentary.