Weaving landscapes

dc.contributorAalto Universityen
dc.contributorAalto-yliopistofi
dc.contributor.advisorvan der Lei , Anna-Marie
dc.contributor.advisorSavola, Kaisu
dc.contributor.authorSolis Escalera, Mariana
dc.contributor.schoolTaiteiden ja suunnittelun korkeakoulufi
dc.contributor.schoolSchool of Arts, Design and Architectureen
dc.contributor.supervisorLohmann, Julia
dc.date.accessioned2020-06-14T15:02:18Z
dc.date.available2020-06-14T15:02:18Z
dc.date.issued2020
dc.description.abstract“Weaving Landscapes” is a research through design thesis that explores the relationship between craft and design, by using concepts from the material culture, with(in) the landscape. Landscape in this thesis refers to the environment(s) in which humans and nonhumans interact. Meanwhile, material culture is the concept that brings together activities from human society and natural ecosystems (natural culture) into one culture. Furthermore, this thesis examines the collaboration that exists between craft and design, which is studied on the notions of preservation and revitalization. Craft is understood as the practice of traditional techniques, while design is used as the perspective and tool to question, think, understand and develop concepts. The relationship between these two practices, craft and design, is inquired through the knowledge in materiality, in making and in the society. The context of the thesis is situated in Finland, in the relation that birch bark weaving technique has with the natural environment and with the society. This topic was chosen because the interest in this traditional craft in Finland seems to have decreased along with its makers, whether they are professional craftspeople or hobbyists. This thesis argues that birch bark weaving should be reconsidered because of the concepts and values that it has within the Finnish landscape. The context is studied by examining how craft values can be regenerated and preserved while revitalizing craft and design practices. As part of my research, I have traveled to mid-Finland to learn and research the birch bark weaving technique from a professional craftsperson. The trip along with the theory have inspired me to create the project “A Dialogue with Birch”, a collection of explorative artefacts. These artefacts consist on canvases that express the outcome of a conversation between my hands and the material (birch bark). Finally, with this thesis I want to analyze and empathize with the connections that the Finnish society has with the birch tree and its forest. In order to find a way to revitalize craft and design I have reviewed craft’s knowledge, values and relationships with the landscape and the raw materials it provides. By using ideas from material culture, this research appreciates craft as a tool for understanding and finding the balance between humans, the landscape and materiality.en
dc.format.extent83
dc.format.mimetypeapplication/pdfen
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/44789
dc.identifier.urnURN:NBN:fi:aalto-202006143738
dc.language.isoenen
dc.programmefi
dc.subject.keyworddesignen
dc.subject.keywordcraften
dc.subject.keywordbirch barken
dc.subject.keywordweavingen
dc.subject.keywordFinnish craften
dc.subject.keywordcollaborationen
dc.subject.keywordmaterial cultureen
dc.subject.keywordcraft communityen
dc.titleWeaving landscapesen
dc.typeG2 Pro gradu, diplomityöfi
dc.type.ontasotMaster's thesisen
dc.type.ontasotMaisterin opinnäytefi
local.aalto.electroniconlyyes
local.aalto.openaccessyes
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