A new twenties: Notes on Instagram and the return of the centrality of montage and slapstick in contemporary moving image

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dc.contributorAalto-yliopistofi
dc.contributorAalto Universityen
dc.contributor.authorRyynänen, Max
dc.date.accessioned2023-06-08T09:00:16Z
dc.date.available2023-06-08T09:00:16Z
dc.date.issued2023
dc.description.abstractAccording to many early film theorists, the novelty and aesthetic potential of film was based on montage – something which lost its edge when film was taken over by the ‘talkie’ in the late 1920s. Theorists of the 1920s also accentuated the originality of slapstick as a form of expression. These days an incredible number of clips with moving images circulate in social media, often based on slapstick, but even more on not just montages made by the people who make these films, but also the machinery itself which distributes and cuts together this spectacle. Have we not somehow entered into a situation which seems to call for a look at the last 20s? Have we now suddenly realized the old potential of film which e.g. Gilbert Seldes, Henry Parland and Sergey Eisenstein wrote about?en
dc.format.extentpages 27-38
dc.format.mimetypeapplication/pdfen
dc.identifier.issn2489-6748 (electronic)
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/121313
dc.identifier.urnURN:NBN:fi:aalto-202306073690
dc.language.isoenen
dc.publisherAalto Universityen
dc.relation.ispartofseriesPOPULAR INQUIRY: The Journal of the Aesthetics of Kitsch, Camp and Mass Cultureen
dc.relation.ispartofseries12(2023):1
dc.subject.keywordInstagramen
dc.subject.keywordFilm theoryen
dc.subject.keywordFilm studiesen
dc.subject.keywordTikToken
dc.subject.keywordMontageen
dc.subject.keywordSlapsticken
dc.subject.otherFilm and Televisionen
dc.titleA new twenties: Notes on Instagram and the return of the centrality of montage and slapstick in contemporary moving imageen
dc.typeJ Muu elektroninen julkaisufi
dc.type.dcmitypetexten
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POPULAR INQUIRY: The Journal of the Aesthetics of Kitsch, Camp and Mass Culture