Feedback Control in an Actuated Acoustic Guitar Using Frequency Shifting

dc.contributorAalto-yliopistofi
dc.contributorAalto Universityen
dc.contributor.authorThuillier, Etienneen_US
dc.contributor.authorLähdeoja, Otsoen_US
dc.contributor.authorVälimäki, Vesaen_US
dc.contributor.departmentDepartment of Signal Processing and Acousticsen
dc.contributor.groupauthorAudio Signal Processingen
dc.contributor.organizationUniversity of the Arts Helsinkien_US
dc.date.accessioned2019-06-20T13:13:44Z
dc.date.available2019-06-20T13:13:44Z
dc.date.issued2019-06en_US
dc.description.abstractRecent research demonstrated that the classical guitar can be advantageously augmented using a pickup to drive an actuator mounted on the guitar’s back plate. This allows enrichment of the instrument’s timbral palette with audio effect processors in the loop. The feedback problem that results from such a setup is similar to what occurs in live music performance setups where the sound of a guitar is amplified using a loudspeaker. In the present case, measurements of the augmented guitar’s open-loop response demonstrate that instabilities are susceptible to occurring from the string’s modes and not from the guitar’s sound-box. In particular, the shape of the magnitude response suggests frequency shifting as a viable solution to string instability. Introduction of an upward frequency shift in the forward path is proposed as a means for stabilizing the closed-loop system. Experimental results demonstrate that the proposed solution leads to improved stability even for a modest frequency shift of 3 Hz. The achieved gain margin improvement, which is shown to be of at least 3 dB, then comes at the cost of a clearly perceptible amplitude modulation, which may be acceptable in conjunction with other audio effects chosen by the performer.en
dc.description.versionPeer revieweden
dc.format.extent373–381
dc.format.mimetypeapplication/pdfen_US
dc.identifier.citationThuillier, E, Lähdeoja, O & Välimäki, V 2019, ' Feedback Control in an Actuated Acoustic Guitar Using Frequency Shifting ', Journal of the Audio Engineering Society, vol. 67, no. 6, pp. 373–381 . https://doi.org/10.17743/jaes.2019.0013en
dc.identifier.doi10.17743/jaes.2019.0013en_US
dc.identifier.issn1549-4950
dc.identifier.otherPURE UUID: 5a54d3bd-1b7a-4984-a5c7-f65557687697en_US
dc.identifier.otherPURE ITEMURL: https://research.aalto.fi/en/publications/5a54d3bd-1b7a-4984-a5c7-f65557687697en_US
dc.identifier.otherPURE FILEURL: https://research.aalto.fi/files/34665627/ELEC_Thuillier_Feedback_Control_JAES.pdfen_US
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/38822
dc.identifier.urnURN:NBN:fi:aalto-201906203888
dc.language.isoenen
dc.publisherAUDIO ENGINEERING SOC
dc.relation.ispartofseriesJournal of the Audio Engineering Societyen
dc.relation.ispartofseriesVolume 67, issue 6en
dc.rightsopenAccessen
dc.titleFeedback Control in an Actuated Acoustic Guitar Using Frequency Shiftingen
dc.typeA1 Alkuperäisartikkeli tieteellisessä aikakauslehdessäfi
dc.type.versionpublishedVersion

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