Experiencing art: the influence of expertise and painting abstraction level

dc.contributorAalto-yliopistofi
dc.contributorAalto Universityen
dc.contributor.authorPihko, Elina
dc.contributor.authorVirtanen, Anne
dc.contributor.authorSaarinen, Veli-Matti
dc.contributor.authorPannasch, Sebastian
dc.contributor.authorHirvenkari, Lotta
dc.contributor.authorTossavainen, Timo
dc.contributor.authorHaapala, Arto
dc.contributor.authorHari, Riitta
dc.contributor.departmentO.V.Lounasmaa-laboratorioen
dc.contributor.departmentDepartment of Neuroscience and Biomedical Engineeringen
dc.date.accessioned2025-10-08T07:42:37Z
dc.date.available2025-10-08T07:42:37Z
dc.date.issued2011
dc.description.abstractHow does expertise influence the perception of representational and abstract paintings? We asked 20 experts on art history and 20 laypersons to explore and evaluate a series of paintings ranging in style from representational to abstract in five categories. We compared subjective esthetic judgments and emotional evaluations, gaze patterns, and electrodermal reactivity between the two groups of participants. The level of abstraction affected esthetic judgments and emotional valence ratings of the laypersons but had no effect on the opinions of the experts: the laypersons’ esthetic and emotional ratings were highest for representational paintings and lowest for abstract paintings, whereas the opinions of the experts were independent of the abstraction level. The gaze patterns of both groups changed as the level of abstraction increased: the number of fixations and the length of the scanpaths increased while the duration of the fixations decreased. The viewing strategies – reflected in the target, location, and path of the fixations – however indicated that experts and laypersons paid attention to different aspects of the paintings. The electrodermal reactivity did not vary according to the level of abstraction in either group but expertise was reflected in weaker responses, compared with laypersons, to information received about the paintings.en
dc.description.versionPeer revieweden
dc.format.mimetypeapplication/pdf
dc.identifier.citationPihko, E, Virtanen, A, Saarinen, V-M, Pannasch, S, Hirvenkari, L, Tossavainen, T, Haapala, A & Hari, R 2011, 'Experiencing art: the influence of expertise and painting abstraction level', Frontiers in Human Neuroscience, vol. 5, 94, pp. 1-10. https://doi.org/10.3389/fnhum.2011.00094en
dc.identifier.doi10.3389/fnhum.2011.00094
dc.identifier.otherPURE UUID: e3b6f23c-a9a7-429d-b26d-537d4d2ad202
dc.identifier.otherPURE ITEMURL: https://research.aalto.fi/en/publications/e3b6f23c-a9a7-429d-b26d-537d4d2ad202
dc.identifier.otherPURE FILEURL: https://research.aalto.fi/files/14382437/fnhum_05_00094.pdf
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/139911
dc.identifier.urnURN:NBN:fi:aalto-202510088092
dc.language.isoenen
dc.publisherFrontiers Media
dc.relation.ispartofseriesFrontiers in Human Neuroscienceen
dc.relation.ispartofseriesVolume 5, pp. 1-10en
dc.rightsopenAccessen
dc.subject.keywordaesthetic judgment
dc.subject.keywordart perception
dc.subject.keywordelectrodermal activity
dc.subject.keywordeye movement
dc.titleExperiencing art: the influence of expertise and painting abstraction levelen
dc.typeA1 Alkuperäisartikkeli tieteellisessä aikakauslehdessäfi
dc.type.versionpublishedVersion

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
fnhum_05_00094.pdf
Size:
1.27 MB
Format:
Adobe Portable Document Format