Biokitsch in Art: And the Survival of the Prettiest

dc.contributorAalto-yliopistofi
dc.contributorAalto Universityen
dc.contributor.authorBeloff, Laura
dc.contributor.departmentDepartment of Art and Media
dc.contributor.editorRyynänen, Max
dc.contributor.editorBarragán, Paco
dc.date.accessioned2023-05-10T06:30:04Z
dc.date.available2023-05-10T06:30:04Z
dc.date.embargoinfo:eu-repo/date/embargoEnd/2025-04-26
dc.date.issued2023-04-26
dc.description.abstractToday’s and tomorrow’s biotechnology developments are opening up many possibilities for modifying organisms, including the development of new visual appearances. Even when the contemporary focus of biotechnology is primarily on the functional side, which is offering us (humans) useful applications in various fields, one cannot help pondering the possibilities for novel aesthetics in organisms’ appearances, but also reasons for making certain choices over others—and what these choices imply. The article focuses on the relationship between kitsch and biological living organisms, especially through investigating the recent practices and growing interest in bioart and biotech arts. These provide relevant examples and include examples from cultural history. In the field of the visual arts and humanities, artists working with biological and biotech arts are at the forefront of understanding with a wide perspective the potentialities and the societal implications of science and technology developments. Artistic projects emerging from biological and biotech arts are often presented with aesthetics adopted from laboratories and scientific experiments; they incorporate petri dishes, glassware, hardware components, and clinical machine parts. Among the numerous artworks with these kinds of typical laboratory aesthetics are also examples that stand out with their different aesthetics, which, when looked at from a traditional high-art perspective, could be seen in the light of the definition of kitsch. Kitsch is commonly claimed to attest to “poor taste,” excessive cuteness, or sentimentality. However, when these artworks are investigated through a wider societal perspective, the works seem to have additional layers which affect, challenge, and play with kitsch aspects.en
dc.description.versionPeer revieweden
dc.format.extent13
dc.format.extent249-262
dc.identifier.citationBeloff , L 2023 , Biokitsch in Art: And the Survival of the Prettiest . in M Ryynänen & P Barragán (eds) , The Changing Meaning of Kitsch : From Rejection to Acceptance . Palgrave Macmillan , pp. 249-262 . https://doi.org/10.1007/978-3-031-16632-7_10en
dc.identifier.doi10.1007/978-3-031-16632-7_10
dc.identifier.isbn978-3-031-16631-0
dc.identifier.isbn978-3-031-16632-7
dc.identifier.otherPURE UUID: cf32ecc0-7a15-4857-9597-126bc1927207
dc.identifier.otherPURE ITEMURL: https://research.aalto.fi/en/publications/cf32ecc0-7a15-4857-9597-126bc1927207
dc.identifier.otherPURE LINK: https://link.springer.com/book/10.1007/978-3-031-16632-7#bibliographic-information
dc.identifier.otherPURE LINK: http://www.scopus.com/inward/record.url?scp=85171001040&partnerID=8YFLogxK
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/120718
dc.identifier.urnURN:NBN:fi:aalto-202305103056
dc.language.isoenen
dc.relation.ispartofseriesThe Changing Meaning of Kitschen
dc.rightsembargoedAccessen
dc.subject.keywordKitsch
dc.subject.keywordBioart
dc.subject.keywordNature-culture
dc.subject.keywordEnvironment
dc.subject.keywordBiokitsch
dc.titleBiokitsch in Art: And the Survival of the Prettiesten
dc.typeA3 Kirjan tai muun kokoomateoksen osafi
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