Perception as an Integral Part of the Design Process

dc.contributorAalto-yliopistofi
dc.contributorAalto Universityen
dc.contributor.advisorNiinimäki, Kirsi
dc.contributor.advisorLaitinen, Tuomas
dc.contributor.authorAlanko, Anna
dc.contributor.departmentDepartment of Designen
dc.contributor.departmentMuotoilun laitosfi
dc.contributor.schoolTaiteiden ja suunnittelun korkeakoulufi
dc.contributor.schoolSchool of Arts, Design and Architectureen
dc.contributor.supervisorLaitinen, Tuomas
dc.date.accessioned2013-11-20T09:35:34Z
dc.date.available2013-11-20T09:35:34Z
dc.date.issued2013
dc.description.abstractThis thesis is a personal exploration into perception and various perceptual phenomena. Through this thesis I question the traditions and limitations of my own perception in order to strengthen my design identity and to develop as a designer. Based on my findings I design and produce a collection of garments and textiles. The thesis is divided into two main categories: theoretical approach and design process. The theoretical part has an empirical approach on perception and is based mostly on literature concerning perceptual psychology and perception in the context of art. It covers the basic concept of perception as well as a selection of different perceptual phenomena. The focus is on the visual sense, however, the tactical sense is also considered. The theoretical part offers information on perception and arises essential questions that are then discussed in the production part as well as visualised in the final designs. In the production part of this thesis the gathered data is implemented and considered through the design process. As a result, my design methods are demystified as I explain and justify the colour, shape and material choices of the collection. Because I am a material-based designer, the focus of the production is strongly placed on pattern and woven textile design. Through this thesis I discovered that perception is highly subjective and hugely reliant on preconceived notions as well as context. Realising the limitations of perception made me question my own perception, which in turn enabled me to detach myself from the traditions of my previous design works. Inspired by the theory and by my observations of it I designed a women’s wear mini-collection of garments and textiles that challenges the viewer by questioning the traditions of perception and by visualising the ambiguous nature of perception through contrasting patterns, diverse woven textiles and surreal three-dimensional silhouettes.en
dc.format.extent98
dc.format.mimetypeapplication/pdfen
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/11433
dc.identifier.urnURN:NBN:fi:aalto-201311127835
dc.language.isoenen
dc.programmeDegree Programme in Fashion and Clothing Designen
dc.programmeVaatetussuunnittelun ja pukutaiteen koulutusohjelmafi
dc.relation.haspartA collection of garments and textiles
dc.subject.keywordperceptionen
dc.subject.keywordtactical senseen
dc.subject.keywordfashion and clothing designen
dc.subject.keyworddesign processen
dc.subject.keywordmaterial-based designen
dc.subject.keywordtextile designen
dc.subject.keywordpatternen
dc.subject.keywordbonded textilesen
dc.subject.otherFashion and Clothing designen
dc.titlePerception as an Integral Part of the Design Processen
dc.typeG2 Pro gradu, diplomityöfi
dc.type.ontasotMaster's thesisen
dc.type.ontasotMaisterin opinnäytefi
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