Performance in documentary film: Characters’ performance or acting in the short documentary film “Windkeeper"

dc.contributorAalto Universityen
dc.contributorAalto-yliopistofi
dc.contributor.advisorDelgado Pereira, Arturo
dc.contributor.authorLesins, Karlis
dc.contributor.departmentelofi
dc.contributor.schoolTaiteiden ja suunnittelun korkeakoulufi
dc.contributor.schoolSchool of Arts, Design and Architectureen
dc.contributor.supervisorDelgado Pereira, Arturo
dc.date.accessioned2024-09-01T15:06:18Z
dc.date.available2024-09-01T15:06:18Z
dc.date.issued2024
dc.description.abstractThis thesis explores the performances of the documentary film characters in the short documentary film “Windkeeper”. Being provoked by the author’s idea that a documentary filmmaker is in no position to record and transmit reality with his presence, because his presence unintentionally or intentionally will intervene in the reality of a subject, thus only giving opportunity for a filmmaker to record and transmit his interpretation of reality of his selected subject, this research questions to what extent a documentary character acts or performs their presence in the documentary film. The thesis is based on literature review, involving the works of Bill Nichols, John Grierson, Paul Henley, Linda Williams and several other practitioners in the field of documentary film theory. The author’s own short documentary film “Windkeeper” is used as a case study as well as his experimental approach to performance of the film’s characters which is later analyzed by the theory of “On acting and not-acting” by Michael Kirby to determine the level of the characters’ performances in different episodes. As a result of this artistic research, it is evident that the documentary characters do not act – they perform and will always perform because we all perform as social beings and it is the beauty of human nature. However, a documentary filmmaker has to understand whether this performance of his filmed subject is good for him and if not, then he has to find a mechanism how to control this performance of the subject he has filmed or how to get behind this performance. In the “Windkeeper” I went through three different stages of director’s intervention intensity position, starting with total intervention and ending with almost none. This process helped me find the best approach to my character and, most importantly, to my film.en
dc.format.extent40
dc.format.mimetypeapplication/pdfen
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/130503
dc.identifier.urnURN:NBN:fi:aalto-202409016064
dc.language.isoenen
dc.programmeElokuvataiteen maisteriohjelmafi
dc.subject.keywordperformanceen
dc.subject.keywordactingen
dc.subject.keyworddocumentary filmen
dc.subject.keywordpresentationen
dc.subject.keywordreenactmenten
dc.subject.keywordimitateen
dc.titlePerformance in documentary film: Characters’ performance or acting in the short documentary film “Windkeeper"en
dc.typeG2 Pro gradu, diplomityöfi
dc.type.ontasotMaster's thesisen
dc.type.ontasotMaisterin opinnäytefi
local.aalto.electroniconlyyes
local.aalto.openaccessyes

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