Identifying concert halls from source presence vs room presence
Loading...
Access rights
openAccess
publishedVersion
URL
Journal Title
Journal ISSN
Volume Title
A1 Alkuperäisartikkeli tieteellisessä aikakauslehdessä
This publication is imported from Aalto University research portal.
View publication in the Research portal (opens in new window)
View/Open full text file from the Research portal (opens in new window)
View publication in the Research portal (opens in new window)
View/Open full text file from the Research portal (opens in new window)
Authors
Date
2014
Department
Major/Subject
Mcode
Degree programme
Language
en
Pages
Series
Journal of the Acoustical Society of America, Volume 135, issue 6, pp. EL311-EL317
Abstract
Identification of concert halls was studied to uncover whether the early or late part of the acoustic response is more salient in a hall's fingerprint. A listening test was conducted with auralizations of measured halls using full, hybrid, and truncated impulse responses convolved with anechoic symphonic music. Subjects identified halls more reliably based on differences in early responses rather than late responses, although varying the late response had more effect on acoustic parameters. The results suggest that in a typical situation with running symphonic music, the early response determines the perceptual fingerprint of a hall more than the late response.Description
VK: Lokki
Keywords
auralization, concert halls, early reflections, room acoustics, spatial sound reproduction
Other note
Citation
Haapaniemi, A & Lokki, T 2014, ' Identifying concert halls from source presence vs room presence ', Journal of the Acoustical Society of America, vol. 135, no. 6, pp. EL311-EL317 . https://doi.org/10.1121/1.4879671