Perception of loudness and envelopment for different orchestral dynamics

dc.contributorAalto-yliopistofi
dc.contributorAalto Universityen
dc.contributor.authorLokki, Tapioen_US
dc.contributor.authorMcLeod, Lauraen_US
dc.contributor.authorKuusinen, Anttien_US
dc.contributor.departmentDepartment of Signal Processing and Acousticsen
dc.contributor.groupauthorVirtual Acousticsen
dc.contributor.groupauthorLokki Tapio groupen
dc.contributor.organizationArup Groupen_US
dc.date.accessioned2020-11-06T11:39:44Z
dc.date.available2020-11-06T11:39:44Z
dc.date.issued2020-10-01en_US
dc.description.abstractOne of the main factors that makes listening to live concerts emotionally engaging is the dynamic changes in the music. Recent research has shown that concert hall acoustics can affect the perception of orchestral dynamics, but hardly any listening tests have focused on this interplay between the dynamics in music and hall acoustics. In this study, the influence of the orchestral dynamics is assessed with auralizations of musical excerpts of different dynamics (from pianissimo to fortissimo) in two listening positions within four different concert halls. Pairwise comparisons were made in terms of loudness and envelopment which are among the main perceptual factors of concert hall acoustics. The subjective results show that the loudness and envelopment can depend on the musical dynamics. Therefore, in future research on concert hall acoustics, much more attention should be paid to the dynamically varying spectrum of the stimulus signal and the listening level, not only to linear impulse responses used for computing objective parameters.en
dc.description.versionPeer revieweden
dc.format.extent9
dc.format.mimetypeapplication/pdfen_US
dc.identifier.citationLokki, T, McLeod, L & Kuusinen, A 2020, 'Perception of loudness and envelopment for different orchestral dynamics', Journal of the Acoustical Society of America, vol. 148, no. 4, pp. 2137-2145. https://doi.org/10.1121/10.0002101en
dc.identifier.doi10.1121/10.0002101en_US
dc.identifier.issn1520-8524
dc.identifier.otherPURE UUID: a3437568-8b42-4dc2-aa99-96a5cc195ca7en_US
dc.identifier.otherPURE ITEMURL: https://research.aalto.fi/en/publications/a3437568-8b42-4dc2-aa99-96a5cc195ca7en_US
dc.identifier.otherPURE FILEURL: https://research.aalto.fi/files/52586835/ELEC_Lokki_etal_Perception_of_Loudness_JASA_148_2137_2020.pdf
dc.identifier.urihttps://aaltodoc.aalto.fi/handle/123456789/47470
dc.identifier.urnURN:NBN:fi:aalto-202011066362
dc.language.isoenen
dc.publisherAcoustical Society of America
dc.relation.fundinginfoThis research was partly funded by the Academy of Finland, Grant No. 296393.
dc.relation.ispartofseriesJournal of the Acoustical Society of Americaen
dc.relation.ispartofseriesVolume 148, issue 4, pp. 2137-2145en
dc.rightsopenAccessen
dc.titlePerception of loudness and envelopment for different orchestral dynamicsen
dc.typeA1 Alkuperäisartikkeli tieteellisessä aikakauslehdessäfi
dc.type.versionpublishedVersion

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