Exploring the need for a novel user interface device in digital music production: A NABC pitching model analysis

Abstract

From mundane tasks to complex operations, machines have become indispensable tools driving societal progress, with microcontrollers serving as the computational core of digital devices. However, to bridge the gap between humans and machines, tangible interfaces are essential. This paper delves into the intersection of technology and music production, focusing on digital music production user interfaces and tools, to understand user engagement and identify areas for improvement. Employing the NABC pitching model, the study delineates needs, devises innovative approaches, and speculates on potential benefits and market competence.

The analysis underscores the need for a new production tool and environment that prioritizes inclusivity, user-friendliness, and accessibility. The prototype model, Silva 1, is introduced as a solution that, by incorporating gyroscopes, accelerometers, tactile feedback, and haptic sensors, offers intuitive real-time sound modulation. Wireless connectivity and Qi charging enhance its usability, positioning Silva 1 as a transformative tool in digital music production.

In conclusion, through the systematic analysis guided by the NABC framework, this study has pinpointed critical needs and paved the way for the creation of Silva 1. This innovative tool aims to address these needs and democratize the music production process, bringing it within reach of everyone, regardless of their background or expertise. With its user-centric design and cutting-edge features, Silva 1 heralds a new era in digital music production, promising a more inclusive and immersive creative experience.