dc.contributor | Aalto-yliopisto | fi |
dc.contributor | Aalto University | en |
dc.contributor.advisor | Hamm, Kalle | |
dc.contributor.advisor | Träskman, Tomas | |
dc.contributor.author | Munoz Alcantara, David | |
dc.date.accessioned | 2012-07-03T10:22:25Z | |
dc.date.available | 2012-07-03T10:22:25Z | |
dc.date.issued | 2012 | |
dc.identifier.uri | https://aaltodoc.aalto.fi/handle/123456789/3941 | |
dc.description.abstract | Every Cloud has a Silver Lining Shaped as a Bullet. Problematizing the common towards a new synthesis, functions as a compilation of reflections on my research regarding the dynamics of transparency and its relation to the economic, politic, and social contemporary situation in a dialogic relation with the art territory. Through this work transparency is assayed from different perspectives: as a concept -how limits and frontiers emerge and dissolve-; as a material -fluid dynamics and properties with the ability to generate different forms and patterns-; as a structure -the way this patterns and forms make alliances-; and as an organism -the self-organization of structures in relation to a system. The thesis articulates a multilayered network of thoughts, both in the manner of written text and works produced in Helsinki from 2010 – 2012, as an artistic response to the present global/local panorama. The format reflects an open exploration with the initial questions: How to compile knowledge out from the restrictions of a linear structure? and, how to present its content as a multi-nodal and open-ended process? It stages the possibility of not closing a research with conclusions, but opening it up with further questions. The work is divided in three sections: Reflections on Transparency Reflections on the War Machine Reversion of Transparency | en |
dc.format.extent | 200 | |
dc.format.mimetype | application/pdf | en |
dc.language.iso | en | en |
dc.subject.other | Applied arts | en |
dc.title | Every Cloud has a Silver Lining Shaped as a Bullet. Problematizing the common towards a new synthesis. | en |
dc.type | G2 Pro gradu, diplomityö | fi |
dc.contributor.school | Taiteiden ja suunnittelun korkeakoulu | fi |
dc.contributor.school | School of Arts, Design and Architecture | en |
dc.contributor.department | Department of Design | en |
dc.contributor.department | Muotoilun laitos | fi |
dc.subject.keyword | contemporary art | en |
dc.subject.keyword | transparency | en |
dc.subject.keyword | war machine | en |
dc.subject.keyword | visual arts | en |
dc.subject.keyword | complexity | en |
dc.identifier.urn | URN:NBN:fi:aalto-201206102283 | |
dc.type.ontasot | Master's thesis | en |
dc.type.ontasot | Maisterin opinnäyte | fi |
dc.contributor.supervisor | Salli, Timo | |
dc.programme | Master's Degree Programme in Applied Art and Design | en |
dc.programme | Taideteollisen muotoilun maisteriohjelma | fi |
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