This thesis presents the development process and analysis of a hybrid video synthesiser that was designed towards use in audiovisual performance and composition.
Though there are various instruments, platforms, and approaches towards audiovisual performance and composition, this practice-based thesis, through the development of an instrument, addresses a very specific gap – the lack of a hybrid, i.e., a software-based physical modular video synthesiser.
This thesis will trace the historical origins of the video synthesiser, contextualise audiovisual performance and composition, and discuss the development of this hybrid video synthesiser. This thesis will document the iterative development process, provide key takeaways from performances and finally, provide a discussion, certain recommendations, and contributions that this instrument makes within the field of video synthesisers and audiovisual performance.