dc.contributor | Aalto-yliopisto | fi |
dc.contributor | Aalto University | en |
dc.contributor.author | Shude-Sokei, Louis | |
dc.date.accessioned | 2018-11-07T11:07:31Z | |
dc.date.available | 2018-11-07T10:03:31Z | |
dc.date.issued | 2018 | |
dc.identifier.issn | 2489-6748 (electronic) | |
dc.identifier.uri | https://aaltodoc.aalto.fi/handle/123456789/34567 | |
dc.format.extent | pages 46-60 | |
dc.format.mimetype | application/pdf | en |
dc.language.iso | en | en |
dc.publisher | Aalto University | en |
dc.publisher | Aalto-yliopisto | fi |
dc.relation.ispartofseries | POPULAR INQUIRY: The Journal of the Aesthetics of Kitsch, Camp and Mass Culture | en |
dc.relation.ispartofseries | 1/2018 | |
dc.subject.other | Acoustics | en |
dc.title | Dr. Satan's Echo Chamber: Reggae, Technology and the Diaspora Process | en |
dc.type | J Muu elektroninen julkaisu | fi |
dc.subject.keyword | reggae music | en |
dc.subject.keyword | Jamaican sound system | en |
dc.identifier.urn | URN:NBN:fi:aalto-201811065615 | |
dc.type.dcmitype | text | en |
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