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dc.contributor Aalto-yliopisto fi
dc.contributor Aalto University en
dc.contributor.editor Nieto Fernandez, Fernando
dc.contributor.editor García Triviño, Francisco Antonio
dc.contributor.editor Psegiannaki, Katerina
dc.date.accessioned 2016-09-23T09:29:43Z
dc.date.issued 2015-12
dc.identifier.citation Nieto Fernandez , F , García Triviño , F A & Psegiannaki , K (eds) 2015 , ' Hipo 3 : Prácticas cronotópicas/Chronotopic Practices ' , HipoTesis: Numbered Issues , vol. Hipo 3 , no. 3 . en
dc.identifier.issn 2340-5147
dc.identifier.other PURE UUID: bedffd57-6ce1-40ef-b313-770a5c73c615
dc.identifier.other PURE ITEMURL: https://research.aalto.fi/en/publications/hipo-3(bedffd57-6ce1-40ef-b313-770a5c73c615).html
dc.identifier.other PURE LINK: http://hipo-tesis.eu/numero_hipo_3.html
dc.identifier.other PURE FILEURL: https://research.aalto.fi/files/3353184/Hipo_3.pdf
dc.identifier.uri https://aaltodoc.aalto.fi/handle/123456789/22467
dc.description.abstract Michel de Certeau has meticulously described some actions or conventional practices as strategies capable of inventing spaces, ways of doing things as mechanisms generating unprecedented spatial comprehension. Practicing space is therefore a way of generating new programs associated to specific actions. Space conceived as a mobility crossing or as a practiced place/location. Thus, in the tale “Ghost Flat (A Modern Couple)”, Marie Darrieussecq describes the reality of a minimal living space through a series of everyday practices. The path exposed by the situations induces an understanding of the ghost apartment, which allows transformations in the uses, stemming from the variation in wavelength of the light in those spaces occupied by its inhabitants. Besides, the notion of limit –spatially but also temporarily– implies a border condition that generates by itself a negotiation feature. The limit becomes a negotiation field for the elements it separates, whether they are spatial or related to a progression in time. Finally, a sequence in time may also lead to a spatial trajectory with a certain rhythm, an architectural cadence. In this way, the particularity of a certain rhythm implies not only a spatial progression but also a temporal one. Architecture must display a territory for experimentation that allows a possibility to adapt spatially and temporarily to different ways of doing things by its inhabitants. A domestic action, periodic or not, travels through this space and also builds it. These three generic perceptions of the relationship between space and time –the creation of programs from practise, the limit as a spatial-temporal negotiation, and rhythm as a result of a specific chain of events– must be explored from the account of architecture and project; in the same way that literary practise connects time “cronos” with space-place/location “topos” in the reader’s imagination. Chronotopos as an expression of the indissoluble character occurring between space-place and time. en
dc.format.extent 69
dc.format.mimetype application/pdf
dc.language.iso es en
dc.relation.ispartofseries HipoTesis Numbered Issues en
dc.relation.ispartofseries Volume Hipo 3, issue 3 en
dc.rights openAccess en
dc.title Hipo 3 spa
dc.type Special issue fi
dc.description.version Peer reviewed en
dc.subject.keyword space-time
dc.subject.keyword spatial rhythms
dc.subject.keyword spatial changes
dc.subject.keyword sequence of places/locations
dc.subject.keyword project procedures
dc.subject.keyword project strategies
dc.subject.keyword architectural phases
dc.subject.keyword spatial travels
dc.subject.keyword spatial interruptions
dc.subject.keyword temporal constructions
dc.subject.keyword temporal places
dc.identifier.urn URN:NBN:fi:aalto-201609234470
dc.type.version publishedVersion

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