Supervising professor(s): |
Díaz-Kommonen, Lily, Prof., Aalto University, School of Arts, Design, and Architecture, Finland |
Parts:
[Publication 1]: Correia, N.N., 2010. Heat Seeker – An Interactive Audio-Visual Project for Performance, Video and Web. In Proceedings of IADIS Visual Communication Conference 2010. Freiburg, pp. 243-251. (Full text of the publication is included in the PDF-file of the dissertation)[Publication 2]: Correia, N.N., 2012. AVOL – Towards an Integrated Audio-Visual Expression. Journal of Visual Art Practice, 10(3), pp. 201-214. (Full text of the publication is included in the PDF-file of the dissertation)[Publication 3]: Correia, N.N., 2011. Master And Margarita – an Audiovisual Adaptation of Bulgakov’s Novel for the Web and Performance. In Proceedings of Academic MindTrek 2011. Tampere, pp. 317-319. (Full text of the publication is included in the PDF-file of the dissertation)[Publication 4]: Correia, N.N., 2010. AV Clash – Online Tool for Mixing and Visualizing Audio Retrieved from Freesound.org Database. In Proceedings of Sound and Music Computing Conference 2010. Barcelona, pp. 220-226. (Full text of the publication is included in the PDF-file of the dissertation)[Publication 5]: Correia, N.N., 2012. Master and Margarita: From Novel to Interactive Audiovisual Adaptation. In L. Eilittä, ed. Intermedial Arts: Disrupting, Remembering and Transforming Media. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 127-146. (Published with the permission of Cambridge Scholars Publishing). (Full text of the publication is included in the PDF-file of the dissertation)[Publication 6]: Correia, N.N., 2011. AV Clash, Online Audiovisual Project: A Case Study of Evaluation in New Media Art. In Proceedings of the 8th International Conference on Advances in Computer Entertainment Technology (ACE). Lisbon. (Full text of the publication is included in the PDF-file of the dissertation)[Publication 7]: Correia, N.N., 2012. Paths in Interactive Sound Visualization: From AVOL to AV Clash. In Proceedings of Sound and Music Computing Conference 2012. Copenhagen, pp. 326–332. (Full text of the publication is included in the PDF-file of the dissertation)
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